Before writing this review I had never heard of Vanna.
A quick Youtube search led me to something so terrible that I had to
turn it off, and I was worried about what I had let myself in for.
Another Youtube search led me to something that sounded completely
different, but was also terrible in its own follow-the-trend way. A
quick Wikipedia search to make sure that there weren’t two different
bands called Vanna, and disappointingly I was informed that there
aren’t. Wikipedia also informed me of the large amount of lineup changes
the Boston boys have been through, which helped explain the frankly
horrible yet unalike tracks I had just regretfully experienced. With
this in mind, I approached ‘The Few And Far Between’ with my teeth
firmly gritted together.
I was surprised, as Vanna seem to have matured somewhat and found a
sound that has a lot more lasting credibility than their previous
efforts. Although, there isn’t much here that hasn’t been done a million
times before.
The opening track provides a nice introduction to the album, drawing
you in with distant guitars and led by a vocal that would make this a
great song to open a set with. Every Time I Die are the first band that
this reminds me of, along with label-mates Norma Jean.
By track three, ‘Year Of The Rat’, we are introduced to the cleanly
sung vocals. Vanna fall into the trap here of sounding a bit like
Atreyu, Trivium or any other mid-2000s metalcore act that were a bit
shit. What follows this is a much better speedy hardcore track, ‘I Said
I’m Fine’, which features the lyrics “Black shoes, black shirt, black
heart” – coming soon to a Facebook status near you! This one finishes
with full-on circle pit fodder and vocals that sound a bit like
Refused’s Dennis Lyxzén, which pleasantly reminded me that hardcore
doesn’t always have to be as linear and restricted as what we have on
this record. Thank you Refused, for the memory.
‘The Few And Far Between’ is by no means a bad record, and I’m sure
there will be a lot of people raving about this release (if the Youtube
comments I read are anything to go by). It just seems like the formula
of chugging guitars and big beatdowns has been exhausted, and to put out
a record that is going to be memorable outside of your own fan-base you
need to bring something exciting to the table. Vanna aren’t doing
anything that Stick To Your Guns, Norma Jean or The Chariot haven’t
already done better, and I think real hardcore fans will be put off by
the singing that tends to spoil some otherwise good hardcore tunes.
The highlights are definitely the introduction I mentioned earlier
and ‘Please Stay’, which shows Vanna at their calmest and probably the
only time they deserve the post-hardcore tag they are frequently
labelled with. The female vocal is a nice touch, but the track doesn’t
really fit in with the rest of the album. The fact that this one was my
favourite probably says a lot more about me and my taste than it does
about Vanna’s quality of songwriting. I’m not especially keen on tough
guy mosh-pit hardcore as it is, so whilst this record didn’t do very
much for me, I’m sure it’ll be exactly what some others are looking for.
2.5/5 Stars
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