Wednesday 5 December 2012

CONVERGE @ Concorde 2, Brighton. 01/12/2012

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On a cold night down the seafront that could be accurately described as 'Bitter And Then Some' , Converge brought the last show of their UK tour to Concorde 2. Upon taking the stage vocalist Jake Bannon posed the questions “Are you ready? Are you sure?”. Nobody was.

Before any of this, though, was support act Touché Amoré. The Los Angeles post-hardcore group have built a huge following in recent years and have played three previous Brighton shows, all in a sweaty and packed-to-the-rafters Hydrant before its unfortunate demise. Despite their being a vast amount of people that have come to see them, there is still a feeling that this is a band that suit smaller venues with no crowd barrier, allowing for stage-diving and some proper screamo carnage. This doesn't stop anybody from having fun though as we witness huge pile-ons at the front. People scramble forwards for the mic to join in with the vocalist during songs such as 'Home Away From Here' and 'Honest Sleep', and it feels as if we have been blown away enough already tonight.

Listening to Converge records you can hear how their style has changed over the years, in favour of big heavy riffs and vocals that are more 'shouty' than they are 'screamy', although we're sure to a lot of people that'll make no sense and we'd be met with a response along the lines of “It's all just noise” or “How are you meant to understand what he's saying?”. However, the Converge live engine is a wholly different experience altogether. What we get is a full-on assault on the senses as they dip into the speedy hardcore sound of 2003 album 'Jane Doe' followed up with tracks from the heavy as hell 'Axe To Fall', released in 2009. But the new release 'All We Love We Leave Behind' is the reason they are here tonight , and the reason why a packed out Concorde's worth of minions have come to join the party.
Converge thrash out a kind of half-metal half-hardcore that shifts between fast and violent to just downright heavy, but it'd be one hell of an insult to call them 'metalcore'. They are more like genre-defying legends of almost every heavy rock based scene. Whether you are a fan of hardcore, emo, metal, punk or grind, Converge have a little something in their music for you and a fan base that consists of a whole mix of people that might usually closer associate themselves with any of the 'subcultures' aforementioned.

Reviewing this was difficult because it was hard to find somewhere to stand where you weren't dragged into the pit, but could still appreciate their set and write half-drunken notes in your phone without it getting knocked out of your hand. The pit was hyperactive and vicious as Bannon flew around the stage like an excited child belting out songs including 'The Broken Vow', 'Aimless Arrow' and 'Concubine', often throwing the mic out into the crowd for someone else to have a go whilst the others stood at their posts and fire out hardcore style backing vocals.
Converge may have won and lost fans over the years but one thing is sure, the power and aggression of their music is still very much alive. We are left with ringing in our ears and a sense that we may have just witnessed one of the craziest gigs of the year.

Words by Chris Biggs


Tuesday 4 December 2012

FRANK TURNER @ The Dome, Brighton. 28/11/2012

The last few years have been something of a dream for Frank Turner. We have witnessed a rise in success that has seen him go from a relatively unknown (to anyone who wasn't previously a fan of post-hardcore outfit Million Dead), to the folk-punk household name that has graced the daytime BBC airwaves, headlined Wembley Arena with support from Billy Bragg (arguably the original Frank Turner), and performed at the Olympic opening ceremony. The socially and politically opinionated boy-next-door has had his show upgraded from The Corn Exchange to The Dome's Concert Hall tonight due to demand, and as a mixed crowd of fans that seemed to age between sixteen and fifty throw their hands in the air, Frank takes the stage to celebrate his 1300th gig.

Opening his set with 'I Am Disappeared' followed by 'Reasons Not To Be An Idiot', it was obvious we were in store for a set that would span his short but illustrious career so far. Instantly The Dome was buzzing with excitement as the words were sang back at Frank and his backing band, The Sleeping Souls. The guy next to us was even waving his crutches in the air before the fun police came and told him to stop.
 Returning to a point we made previously about the age range of the fans tonight, what was odd about this was that there seemed to be a big divide between who knew the words to anything from his first two albums, and who only seemed to be familiar with his more recent London 2012-friendly singles. The latter seemed to get the older section of the crowd dancing like they haven't been out in a while and was reminiscent of Elvis Costello or Squeeze concerts we have experienced in recent years. For a handful of the older songs, the band left the stage and Frank went solo. This was when the Frank Turner hardcore really made their voices heard, especially so when he played 'Worst Things Happen At Sea' and Million Dead cover 'Smiling At Strangers On Trains' which was a rarity even at his pre-2010 gigs.
The whole crowd was united when he announced that they were filming a video for 'Four Simple Words', everybody was urged to go as crazy as they could which led to some wild dance moves and more crutch-waving (this time from another injured attendee at the opposite side of the venue) whilst Frank seemed to have control of the crowd in a way that was somehow akin to Mickey Mouse and his broomsticks in 'Fantasia'. This image repeated itself during the encore. The song 'Photosynthesis' contains the lyrics “I won't sit down”, to which some members of the crowd began to sit down - as is tradition. Frank instructed everyone else to join them, making sure that they were aware of the point that they were expected to jump up again, so as not to look incredibly stupid in front of everybody else.
Ending the set with a dedication to his friend Dan, the aptly named 'Dan's Song' saw Frank put down his guitar and climb into the crowd for his punk-rock finisher. Frank Turner is a guy who's love for his fans radiates from him, and vowing to make sure he played more shows in Brighton in the future left the crowd beaming as they spilled out of the venue. The wait was shorter for us though, as we were fortunate enough to meet him in the pub afterwards.

Words by Chris Biggs

Frank Turner Official Website
Frank Turner Facebook

GNARWOLVES

The Prince Albert, Brighton
Thursday 24th January  
Part of the Sea Monsters week long event promoting the release of the compilation 'Sea Monsters 3'.

In the last year pop-punk trio Gnarwolves have released a cracking EP,  toured the country with Lower Than Atlantis, played a handful of shows in Germany, supported Ceremony, Fucked Up and Boysetsfire among others, and are always willing to squeeze in an extra local show here or there. A Brighton Gnarwolves show feels like what you'd imagine early Blink-182 or NOFX gigs to have been like - full of energy, constant crowd surfing and mass sing-alongs. Prepare to party! (CB)

Support comes from Broker, If Heroes Should Fail & Loose Lips.
£5 entry or £25 for a Sea Monsters wristband for entry to all 7 gigs that week.
Other acts include Sea Bastard, Thedealwasforthediamond, Negative Pegasus and Rum Committee.

Brighton Source Sea Monters 2013 Previews

Gnarwolves Bandcamp
Broker Bandcamp
If Heroes Should Fail Bandcamp


Source Magazine Writer's Chart 2012



Every year the contributors to Brighton's leading music and culture magazine are asked to list their top 5 tracks of the year by local bands/producers. The one's that receive the most mentions are then compiled into a top 20 which is published in both the magazine and online. Here is my contribution:

1: GNARWOLVES – Coffee
Energetic closing track on the UK's best pop-punk band's defining EP, CRU.

2: ENEI FT. MC DRS – Obsession (Foreign Concept remix)
Dark and atmospheric remix from the Brighton man. Shuffly breaks and a disgusting rolling bassline.

3: GNARWOLVES – Community, Stability, Identity
Actually, I think they might be the world's best pop-punk band.

4: PASTAMAN FT. JOEY BADA$$ – Selecta' Get Ruff 
 Slice of amen nastiness from the owner of Brighton's heaviest jungle club night/record label, Satta Sounds.

5: SEA BASTARD – Smashed By Sunlight
Doom metaller's reminding us it's not all fun and sun at the seaside in this twelve minute riff assault.

You can read the full article here: Source Writer's Chart 2012
My suggestion of Coffee by Gnarwolves came in at number fourteen.
Big up Gnarwolves!

Gnarwolves Bandcamp
Foreign Concept Soundcloud 
Pastaman Soundcloud
Sea Bastard Bandcamp

BIRDS IN ROW

Sticky Mike's Frog Bar, Brighton
Monday 17th January

Birds In Row come back to Sticky Mike's after last year's excellent performance when they provided support for Punch and Loma Prieta. Their set left the crowd in awe and the French three-piece showed that they can make plenty of noise whilst still being profound and heartfelt. Their sombre take on hardcore punk is raw and powerful and has seen them release their debut full length through big players Deathwish Inc. Support comes from Merseyside screamo outfit We Came Out Like Tigers. (CB)

Facebook Event Page
Birds In Row Facebook
We Came Out Like Tigers Facebook


ROLO TOMASSI @ The Haunt, Brighton. 22/10/2012

Rolo Tomassi may have been a little quiet in the last year or so, but their return to Brighton shows that they have been busy elsewhere being incredibly noisy. New album 'ASTRAEA' will have hit the shops by the time you read this, their third full length release and the first with a new lineup that includes Chris Cayford and Nathan Fairweather who both live in Brighton and also play in the bands No Coast and Brontide respectively. Tonight is to some extent a hometown show for Rolo Tomassi, and having received a daytime airing on Radio 1 earlier in the day, it is obvious that things are going swimmingly for the brother and sister fronted five-piece.
It's good to see a lot of younger faces in the crowd tonight, proving that their mathcore spazziness is still floating plenty of boats. The new songs sound powerful and exciting and the contrast between  Eva Spence's two vocal styles is incredible, switching between the beautifully captivating sung parts and some of the best screaming you're ever likely to hear. It's impossible not to notice how almost all of the audience (both male and female) are completely engrossed in her stage presence, and whilst synth operator and second vocalist James would make a brilliant frontman himself, there is something mesmerising about the way she dances about the place before letting her vocal cords do the destruction.
It takes about three songs before there is much crowd movement, presumably a result of everyone being a little bit blown away after their explosive start but a set list that included favourites such as 'Kasia' and 'Oh, Hello Ghost' as well as plenty of new ones ensured there was plenty of pit action.
Throughout the set they apologise for hiding and neglecting everyone recently and seem extremely happy to be out playing shows again which is a great sign. So don't worry if you missed them this time round because you're guaranteed to get another chance to see the most aggressive sounding band to ever sell hair clips and scatter cushions on their merch table.

Words by Chris Biggs

Source Magazine - Rolo Tomassi Review
Rolo Tomassi Facebook

ERISIAN

The Volks, Brighton
Friday 25th January

Brighton's leading crew when it comes to the real sound of the underground are back on regular duty at the Volks. The first release from their newly founded digital label is now available and features nine tracks of the kind of talent expected to be seen tonight. The closest you'll get to an illegal rave without actually going to one. Pounding hardtek, ragga-jungle, mutant bassline, breakcore, gabba, jungletek, crossbreed and all sorts of other things that sound made up and you're parents wouldn't approve of. (CB)

Erisian Bandcamp
Erisian Facebook

SATTA SOUNDS

The Volks, Brighton. 
Friday 21st December.

The hardest and ruffest jungle, dub, drum'n'bass and breakcore from the Brighton/East Anglia collective. If you've ever been to one of these dances you'll know these guys always put on a special night full of chopped up amen breaks and revamped dancehall riddims. Neurofunk's next big thing Block Dodger headlines tonight, along with Caleb B2B Brock Out, local boys General Waste and C3B and plenty more. Toxic Sound System are on rig duty whilst Daytime Televisuals provide images you'll wish you never saw. (CB)

Satta Sounds Facebook Event Page
Block Dodger Soundcloud
Satta Sounds Bandcamp
General Waste Soundcloud
Daytime Televisuals
Toxic Soundsystem

ELECTRO BLUES

2nd Friday of every month @ The Green Door Store

Music's newest niche sees classic blues recontextualised in an electro/breakbeat style, and while electro swing was rather short-lived, electro blues already appears to have more credibility than its irritating counterpart. Big bouncing basslines, blues, booze and breaks. Brilliant. Cracking visuals that show pieces of blues history, a different live band each month, a chicken wire fence surrounding the stage and free entry make this a night worth checking out. (CB)    Electro Blues Facebook