Thursday 18 October 2012

Gancher & Ruin interview for Maxumi Magazine

We chat to Russian drum and bass producers Dmitry Goncharenko and Alexey Goncharenko aka Gancher & Ruin about their influences, attending club nights underage and what they think about the scenes current dirty word 'Crossbreed'.

Tell us a bit about how the two of you became involved in electronic music and what were/are your main influences?


It's quite a long story. Firstly, we had been listening to The Prodigy and some breakbeat. Then in 2005 we heard about Pirate-Station here in Russia, this is 'the biggest drum and bass festival in the world' and by that time people were making hard drum and bass. I think we became involved in drum and bass with tracks like Pendulum's 'Another Planet' and The Panacea's 'Wrong Is Right'. Then it was Technical Itch's 'The Signal' and 'Decontrol'. These tracks led us towards more darker drum and bass.

The two of you have had a lot of success at such a young age, playing lots of big events and having associations with a lot of the big names and labels on the scene. Was their anybody in particular that you has helped you a lot or had 'taken you under their wing' in the beginning?

We are really grateful for how Cooh has helped us. He promoted us and helped us with our music as well.

What have you guys been up to recently? Had a busy summer?


To be honest, no! We had only a few events in Europe and some local parties in Saint-Petersburg, but in July we played back-to-back with The Panacea. You know what it feels like!? We were 14 or 15 when we heard him live at Therapy Sessions here in Saint-Petersburg. It was illegal to be there if you are not at least 16, but we had tried our best to get in. It was one of our dreams to play with him and it was fantastic.
Also, we had to refuse playing in the UK in May. It should've been our first party in the UK, but because of some problems with the UK embassy here we had to turn it down.

We had bad summer, a few hot days in July but that's it. The weather thinks that is enough for our place hahaha.

That's a shame! Do you have plans to come to the UK soon? Would be great to have you finally play here.

Unfortunately we haven't got any bookings for the UK yet.

(Promoters – you heard them! Somebody book them now!!!)

If you could choose five artists to collaborate with, who would you choose? And why?


If you had asked us this question five years ago then The Panacea and Ruffneck would be in this list , but we are already working with The Panacea and Ruffneck which is fantastic. We don't know any other people who are soooooo much into their music and always ready to help. They are top in the hardcore and drum and bass scenes so it makes sense.
For now, maybe Noisia, Current Value, Meccano Twins and Limewax. Each of them has their own unique style. It would be awesome to see what would happen if we do any collaborations together.
Our fifth choice is Hans Zimmer, for real.

What do you the two of you enjoy most about working together, and is there anything you dislike?

We understand each other without words. We do almost everything in music together.

To be honest, there is nothing to dislike. If someone has an idea to put in a track or a mix, we do it. If the idea doesn't fit in the track we use it in another one.

There has been a lot of integration between the drum and bass and hardcore techno scenes in recent years, mostly revolving around the labels you guys are associated with (for example, PRSPCT Recordings and Yellow Stripe Recordings) and the term 'Crossbreed'. What are your feelings about this?

To be honest, we don't like that a lot of producers are doing the crossbreed thing now. It's making it go too mainstream, and when something goes mainstream it becomes nothing as it was with 'skullstep' (hard drum and bass with broken beats and amen breaks). It died after everybody started to do it. Hundreds of tracks per week and only ten of them would be any good!
Yes, PRSPCT are doing a great job. Actually, we like the experiments a lot of producers are doing right now. For example, the style of The Outside Agency, Ruffneck, The Panacea and Cooh - each have their own style. But it sounds bad when producers are doing the same things as others or just copying someone else's unique style.
We think these changes will create a big scene but we're not so happy with that. Some producers are just going into it to make a name for themselves, and money! Thank God that most of them are doing it because they love the music.
Producers are trying to unite the drum and bass and hardcore crowds, but if those producers do it because of money it will fail, deffo.

Which up and coming producers would you say are people to look out for in the future?


The sounds of CA2K and Damage Inc will destroy the dancefloors, these guys are making fantastic tracks.

Thanks a lot for your time guys. We look forward to hearing what you bring to us next and hope to see you destroying our dancefloors soon. Any last comments?


We love our fans! Thank you that you are with us.

Maxumi Magazine - Gancher & Ruin interview
Gancher & Ruin Facebook
Gancher & Ruin Soundcloud






Tuesday 9 October 2012

My Other Cat Is An Owl: Another D&B mix by myself

Little mess about I did cos I wanted to play some of my new records as well as some I haven't touched in a long time. Made it up as I went along in one take so it's not great but not uploaded anything for ages so I thought I might as well, and realistically I'm never actually gonna get round to recording a proper set. I don't even have a crossfader at the moment and my needles are completely fucked. Safe. Enjoy.

KJ Sawka - New Life (Tech Itch remix) (GUERILLA)
DJ Hidden - You Are Not Real (HIDDEN TRACKS)
The Outside Agency & Forbidden Society - This Never Happened (GENOSHA 175)
Break - Yes (COMMERCIAL SUICIDE)
Limewax - Landing Bone (LB)
Tech Itch - Last Hours (FREAK)
Interface - Things Change (CLEAR SKYZ)
Kitech - World Ends VIP (AMALGAM)
Evol Intent - Dead On Arrival (EVOL INTENT)


PIG DESTROYER @ The Haunt, Brighton. 01/11/2012

Pig Destroyer @ The Haunt, Brighton. 01/11/2012

Relapse records' grindcore/thrash icons give us the pleasure of a Brighton visit on a short tour that includes only three shows outside of the US. Having not played in the UK for eight whole years, we are extremely privileged to have them in one of the town's most hardcore-friendly venues. Guaranteed to be packed from wall to wall this could literally be a once in a lifetime opportunity, and with new album 'Book Burner' released just a few days before the gig you're in for a disgusting post-Halloween treat. (CB)

Pig Destroyer Myspace
Pig Destroyer Facebook

VENETIAN SNARES @ Audio, Brighton. 24/09/2012

Venetian Snares @ Audio, Brighton. 24/09/2012

Venetian Snares should really need no introduction, but for those of you whose taste in music doesn’t generally include 180bpm+ chopped up jungle breaks, mutated gabba kicks and 7/4 time signatures (among other difficult to count brain hurters), this may take a little explaining.
For a long time now Venetian Snares has been considered an icon in electronic production styles, and a pioneer of the mind-melting breakcore sound. With a huge back catalogue of noisy and energetic releases on multiple labels including the legendary Planet Mu, the rave sadist of Winnipeg, Canada (see ‘Die Winnipeg Die Die Die F*****s Die’ and ‘Winnipeg Is A Dogs*** Dildo’) revisited Brighton to remind us all that it’s Monday, the week has started and we all need waking up.
Tonight Venetian Snares begins his set at a slightly slower tempo than usual, though the music is no less frenetic and it was obvious this wasn’t going to last too long. Inevitably he picks up the pace pretty quickly, and as he hammers the crossfader with precise cutting and chopping you begin to wonder how on earth this guy’s head works. Fair enough he wrote the music and probably knows it back to front, upside down, on fire and in a blender, but Venetian Snares often has us confused as to how somebody could be capable of such consistent mixing considering the odd timings in which the tracks are produced. Even some of the most talented DJs wouldn’t know where to start when mixing these glitchy, erratic beats.
As he plays through both old and new tracks such as ‘Ultraviolent Junglist’, ‘Szamar Madar’ and ‘Husikam Rave Dojo’, the crowd give all they can to keep up. Without meaning to sound patronising, or to doubt anyone’s sense of rhythm, there are parts of the set that are genuinely un-danceable. But it somehow still makes so much sense. With the night ending on a few minutes of pure noise, we leave Audio mesmerised, slightly disorientated and glad the world hasn’t ended even if it sounded a bit like it had.

Audio, Monday 24th September 2012
Words by Chris Biggs

Brighton Source Reviews - Venetian Snares
Venetian Snares Bandcamp

Monday 1 October 2012

Dying Fetus @ Concorde 2, Brighton. 16/09/2012

 Dying Fetus @ Concorde 2, Brighton. 16/09/2012

One of death metal’s most legendary and offensively named bands return to Brighton for a night of beer drinking, hair-spinning madness. As part of the Fatality Big Weekend, which saw female-fronted grindcore band Iwrestledabearonce headline The Haunt the previous night, Dying Fetus brought their old school sound of technical death metal to Concorde2.
In support tonight is Arizona’s hugely successful outfit Job For A Cowboy who perform a brutal blend of nu-school flavours often referred to (reluctantly or pretentiously) as deathcore. Their set is tight and crushing, but mostly it helps to highlight how much of an iconic influence our headliners have had on countless amounts of bands since their birth in the early 1990s. We were tempted to make a jokey link between the word ‘birth’ in the last sentence and the name ‘Dying Fetus’, but it was never going to be in good taste.
Another thing that’s not a good taste is mosh sweat flicked out of the hair of somebody and into your beer, which if you stood too close to the pit tonight was inevitable. Beer does taste good, but as the guy next to us was keen to demonstrate you don’t necessarily have to drink it. Instead he chose to nonchalantly spray it over the crowd in front with a series of overarm flicks of the wrist before casually strolling into a circle pit.
Fetus play a varied set that spans almost their entire existence as a band, churning out tracks like ‘Pissing In The Mainstream’, ‘Your Treachery Will Die With You’ and ‘Procreate The Malformed’. The crowd react brilliantly to new songs ‘Subjected To A Beating’ and ‘Into The Trenches’ as the band effortlessly switch between slower, chugging riffs and double-kick led lightning speed guitar work. The slow and heavy parts have the crowd swaying in demonic unison before bursting into a frantic pit of beard and Cannibal Corpse shirts.
As the band leave the stage, and we pick the hair out of our drink, the DJ plays Perry Como’s ‘Magic Moments’. Unless you witnessed it, you’ll never truly appreciate how entertaining it is to hear groups of metallers whistling this as they walk home along Madeira Drive.

Brighton Source Reviews - Dying Fetus
Dying Fetus Bandcamp