We interview one of the rising names
in the UK underground Jake Micklewright, better known to fans of dark
drum n bass, industrial hardcore and everything evil and inbetween as
Jakub23.
By Chris Biggs
By Chris Biggs
Quite a hard one
that.I got into electronic music quite late actually. I always had it
around me from my brother and my father but I never actually enjoyed
it at all. I was the odd one out of the family as everyone else was
well into their dance music and I was really into metal, punk and
anything heavy and filled with anger. Typical skater kid. I remember
watching 'CKY2K' and hearing Aphex Twin's tune 'Come To Daddy' and I
was blown away. Never before had I heard electronic music sound so
heavy. It wasn't until a few years later though that I actually
discovered the tune was produced by Aphex Twin. From then I started
to get into electronic music, I was about15 years old.
The production came a lot later. I remember watching the music video for Venetian Snares 'Szamar Madar' and I remember saying to myself "I want to make music like that". Fortunately my brother (BLM) had left a copy of Reason 3 on my computer. I started messing around making really basic and terrible noise and breakcore.
The production came a lot later. I remember watching the music video for Venetian Snares 'Szamar Madar' and I remember saying to myself "I want to make music like that". Fortunately my brother (BLM) had left a copy of Reason 3 on my computer. I started messing around making really basic and terrible noise and breakcore.
You've come a long way since then,
and have been picked up by some great up-and-coming labels. How does
it feel to be on the same rosters as a lot of the bigger names in the
scene?
Feels good, man.
It's great to see a lot of hard work has finally started to pay off.
I have literally dedicated my life to music. I wake up in the morning
and straight away turn on my PC and start working on a tune, and
pretty much crack on with it until the day is over. And when you see
that other people are into what you've been working your arse off
for...I can't really explain it .But yeah, it feels great. I never
imagined it would happen to be honest. When I first started all those
years ago it was just another way to kill time and have a laugh. I
didn't know what I was doing, and to be honest I still don't really
know what I'm doing now haha.
You've worked with a few other
producers that are starting to make a name for themselves, including
Dither, Hardlogik and Culprate. Do you like working with others or do
you prefer to go at it alone? And do you have any other
collaborations in the pipeline?
To be honest I
actually prefer to work on my own most of the time. It is good to
have that outside influence and input into the tune, but I also like
to bang out my tunes. When working with someone else you're always
waiting on someone or something. But it is always nice listening to
someone else's take on what you've started.... it sometimes makes you
think "Oh yeah, why didn't I do that?" .
I've got quite a few collabs in the
pipeline actually. Just finished one with Macheen Boi
(http://www.sustainedrecords.com/macheeen-boi/). Proper nice that
one, really happy. It has an old Tech Itch vibe to it. Got some more
collabs with Dither in the pipeline, Teck Nick, eRRe, Tugie,
Malicious, Coma and Dylan (i've been waiting for him to do something
with the stems for months now though). I just properly met Arkaik
last night and we were talking about collaborating in the future. I
even sent Culprate a message the other day asking if he was up for a
collab like old times, but unfortunately never got a reply back.
Shame.
A lot of terms such as 'Crossbreed',
'Hybrid' and 'Core & Bass' are getting used to describe a lot of
the work producers like yourself are putting out, and there's been a
definite increase in the amount of releases combining elements of
drum n bass, hardcore and other harder styles of dance. What's your
opinion on the state of the scene over the last couple of years??
To be quite honest
I can't really answer that question as I don't really pay attention
to "the scene" that much. There are a few artists that I
keep an eye on and follow their work, but mostly I try and focus on
what I'm doing and not what other people are doing. It certainly has
become quite popular though, which is good I guess.
You're a lot more closely connected
to the illegal rave/free party scene than you are the club scene. Why
is this, and how do the two compare?
I dunno why it is. I guess its because
I started playing at parties before I was playing in the clubs. And
how do they compare? Well lets just say I'd much rather play a squat
party than a club - better atmosphere, better people, better music -
the list goes on really. In a club everything is regulated and
expensive and you have to act how the club want you to act. In a
squat or at a free party it's an autonomous zone. There is so much
more excitement surrounding the squat and free party scene. Most of
the fun I find is in exploring where the party is being held. It's
always nice finding interesting things and putting together the story
of what was going on in the location previously.
_______________________________________________________________________________
Any final words? Information on
releases and gigs etc?
Shout-outs to Jon,
Laura and all the rest of the Sustained Records
(http://www.sustainedrecords.com/) crew; The Sevillian tapas and
chorizo salad tossing mafia; Kotlet; Kia; Django's Dad... he's still
in my basement.
Eynsham site crew; Oxford dicks; Napalm
Sounds (http://www.facebook.com/profile.php?id=100002608934536);
Unknown Soundsystem; Mischief; Rere Kumkum; Pokora Soundsystem; and
all of the people pushing good underground music and not giving a
fuck.
Things to look out for include my
releases on Jigsore (http://www.jigsore.co.uk/), Meathook
(http://meathookrecordings.co.uk/), Clueplant and Our Fucking Jungle
for the vinyl people. Tracks on 'The Big Fuck-Off Knives' CD
(Sustained), and digital releases on Tech Cycle; Lost Frequency;
Future Sickness; Suspect Device; Raston Warrior; Darkbox; Overtech;
Order in Kaos and Peace Off.
Playing at Hardcore Till I Die 'In The
Sun' festival in June (Spain). And on the 21st of April I'm in
Bristol for Drum Disciples Vs. Jungle Clone. Various free parties in
and around London, indefinitely.
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